Die verhaal as mitiese vraagstelling: die verhaalkuns van Henriette Grové

Abstract

Story as mythical questioning: The narrative art of Henriette Grové

Henriette Grove's stories are mostly concerned with the nature and meaning of human experience, especially human suffering. In this article an effort is made to characterize these stories, indicating the relation between the stories and a way of thinking that is primarily concerned with metaphysical, mythical and religious issues. Texts like In die kamer was ’n kas and Die kêrel van die Pêrel and some short stories are examined to find indications of the underlying vision of man from which the stories generate. Special attention will be given to focalization in the stories, indicating the need to extend the meaning and use of the term so that textual as well as extratextual modal relations can be described. These relations may provide an indication of the vision of man which is favoured by the “abstract author" and which in this case seems to encompass much more than mere ideological thought patterns. Grové's stories posit questions which, being mythical questions, can only be answered in a religious manner. The stories do not provide solutions to the problematic nature o f experience and suffering, but insist on asking the type of questions with which religion concerns itself.

https://doi.org/10.4102/koers.v61i4.606
PDF

Copyright information

  • Ownership of copyright in terms of the Work remains with the authors.
  • The authors retain the non-exclusive right to do anything they wish with the Work, provided attribution is given to the place and detail of original publication, as set out in the official citation of the Work published in the journal. The retained right specifically includes the right to post the Work on the authors’ or their institutions’ websites or institutional repository.

Publication and user license

  • The authors grant the title owner and the publisher an irrevocable license and first right and perpetual subsequent right to (a) publish, reproduce, distribute, display and store the Work in  any form/medium, (b) to translate the Work into other languages, create adaptations, summaries or extracts of the Work or other derivative works based on the Work and exercise all of the rights set forth in (a) above in such translations, adaptations, summaries, extracts and derivative works, (c) to license others to do any or all of the above, and (d) to register the Digital Object Identifier (DOI) for the Definitive Work.
  • The authors acknowledge and accept the user licence under which the Work will  be published as set out in https://creativecommons.org/licenses/by/4.0/ (Creative Commons Attribution License South Africa)
  • The undersigned warrant that they have the authority to license these publication rights and that no portion of the copyright to the Work has been assigned or licensed previously to any other party.

Disclaimer: The publisher, editors and title owner accept no responsibility for any statement made or opinion expressed by any other person in this Work. Consequently, they will not be liable for any loss or damage sustained by any reader as a result of his or her action upon any statement or opinion in this Work. 
In cases where a manuscript is NOT accepted for publication by the editorial board, the portions of this agreement regarding the publishing licensing shall be null and void and the authors will be free to submit this manuscript to any other publication for first publication.

Our copyright policies are author-friendly and protect the rights of our authors and publishing partners.